One of the least known but fastest growing segments of the publishing industry is the field of ghostwriting. Thanks in large part to the convergence of two trend lines —the democratization of publishing across all platforms combined with the massive premium being placed on thought leadership across most industries — demand for reliable, high-quality book collaborators is surging. As a result, opportunities to make a healthy living as a ghost are rapidly expanding.  In fact, the first ever large-scale survey of ghostwriters conducted in 2024 found that one-third of the 269 respondents reported earning more than $100,000 in annual income from book collaborations. Not coincidentally, the old stigmas around ghostwriting are rapidly disappearing, with many prominent authors not just publicly acknowledging but embracing their writing partners. All of which explains why more and more established authors and journalists — including brand names like J.R. Moehringer and Ariel Levy — are rushing to embrace the identity of collaborator. Yet at the same time, while the profession is in the process of coming out of the shadows, it still remains an inaccessible black box to most outside of the publishing industry. This class offers a deep-dive primer on the ghostwriting profession that will demystify how it works and examine what it takes to succeed.
Registering at least three weeks prior to the course start date is highly recommended.

This course may be used to fulfill the requirements of the Certificate in Storytelling. It may be taken to pursue the certificate, or as a standalone course.
Continuing Education Units (CEU) : 2

You'll walk away with

• An understanding of the evolution of the ghostwriting field and the factors driving its growth
• Knowledge of where it fits in today’s publishing ecosystem
• A clear idea of what the work entails today
• An understanding of the qualities it demands from practitioners
• Insight into how to break into the profession

Ideal for

• Established writers and editors looking to diversify their income
• Aspiring wordsmiths interested in exploring professional opportunities beyond the traditional editorial track at publishing houses