NEW YORK, May 11, 2015 — Art crime ranks as the third-largest criminal enterprise in the world, according to the U.S. Department of Justice. The increase in international art transactions has incubated a booming market for stolen and fraudulent art, and major U.S. arts institutions still grapple with repatriation of stolen or looted objects in their collections.
To address the magnitude of this global trend, the NYU School of Professional Studies will present a three-day symposium, “Art Crime and Cultural Heritage: Fakes, Forgeries, and Looted and Stolen Art,” on June 4-6, 9 a.m. to 5 p.m. It will take place at NYU School of Law, Lipton Hall, at 108 West Third St. The Symposium will focus on a major policy issue each of the three days: Theft and Fraud; Looting and Spoliation; and Fakes and Forgeries.
Co-organized by the School’s Division of Languages and Humanities, together with Jane C.H. Jacob, art historian and provenance research expert and president, Jacob Fine Art, Inc.; Christopher A. Marinello, director and founder, Art Recovery Group; and Alice Farren-Bradley, Museum Security Network, the Symposium brings together experts from major museums and auction houses, the NYU School of Law, the Federal Bureau of Investigation, UNESCO, the Jewish Claims Conference, as well as independent scholars and authors, art crime victims, art crime attorneys, forensic scientists, and other major players working to address art crime worldwide.
Topics to be addressed include major instances of fakes and forgeries, insurance fraud, art theft and art scams, scientific and forensic approaches, provenance research, cultural repatriation, issues facing auction houses and purchasers, and current case studies.
Amy M. Adler, Emily Kempin Professor of Law, NYU School of Law
Amr Al Azm, Associate Professor, Middle East History and Anthropology, Shawnee State University; Former Director, Scientific and Conservation Laboratories, General Department of Antiquities and Museums, Syria
W. Graham Arader, III, Founder & Owner, Arader Galleries; specializes in antique works on paper, paintings, and rare books
Jordan Arnold, Managing Director and Head of Art Risk Advisory at K2 Intelligence; former art crime prosecutor at the Manhattan District Attorney's Office
Doreen Bolger, Director, Baltimore Museum of Art; oversaw the return of the stolen Renoir painting, Paysage bords de Seine, to the museum’s collection in 2014
James Butterwick, Founder & Owner, Butterwick Gallery LLC; specializes in Russian avant-garde
John R. Cahill, Attorney, Cahill Partners LLP; formerly General Counsel, Phillips de Pury & Co.
Tim Carpenter, Special Agent, Federal Bureau of Investigation (FBI); involved in the largest restitution case of Native American artifacts in the United States, recovering 5,000 objects to date
William L Charron, Partner and Co-Chair of Art Law Practice, Pryor Cashman LLP
Pierre Ciric, Founder, The Ciric Law Firm PLLC; Co-founder, Holocaust Art Restitution Project (HARP)
MaryKate Cleary, Collection Specialist, Painting and Sculpture, Museum of Modern Art; Adjunct Instructor, NYU School of Professional Studies
Sandra L. Cobden, Senior Vice President and General Counsel, Christie’s Inc.
Michael Danti, Assistant Professor of Archaeology, Boston University; Academic Director, ASOR Syrian Heritage Initiative
Marla J. Diaz, Partner, Whiteford, Taylor, and Preston, LLP; General Counsel, Baltimore Museum of Art; lead attorney in the negotiation for the return of Paysage bords de Seine to the Baltimore Museum of Art
T/4 Sgt. Harry L. Ettlinger, served in the Monuments, Fine Arts, and Archives (MFAA) program in World War II, better known as the Monuments Men; Author of Ein Amerikaner: Anecdotes from the Life of Harry Ettlinger
Alice Farren-Bradley, Director of Claims & Recoveries, Art Recovery Group Ltd; Co-founder, NYUSPS Art Crime and Cultural Heritage Symposium; Moderator, Museum Security Network
Wesley A. Fisher, Director of Research, Conference on Jewish Material Claims Against Germany; Executive Director, Victim List Project of the Swiss Banks Settlement
Sharon Flescher, Executive Director, International Foundation for Art Research (IFAR); Editor-in-Chief, IFAR Journal
Megan Fontanella, Associate Curator, Collections and Provenance, Solomon R. Guggenheim Museum
Karl Geercken, Partner, Alston & Bird LLP; counsel for Leopold Museum, Vienna, in the Egon Schiele’s Portrait of Wally case
David B. Goldstein, Attorney, Rabinowitz, Boudin, Standard, Krinsky & Lieberman, PC; Co-author of Creating an Equitable Balance Between the Rights of Former Owners and Good Faith Purchasers of Stolen Art; litigator in disputes over artworks, trade secret misappropriation, and copyright infringement
Patricia J. Graham, Founder, Asian Art Research & Appraisals; Research Associate, Center for East Asian Studies, University of Kansas; Author, Japanese Design: Art, Aesthetics, & Culture
Judd B. Grossman, Founder and Managing Partner, Grossman LLP
Peter Herdrich, Founding Partner, The Heritas Group; Former CEO, Archaeological Institute of America (AIA)
Simon Hornby, President, Art Services, Crozier Fine Arts, Inc.
Jonathan Illari, Vice President and General Counsel, Auctionata; Former Counsel, Bonhams
Jane C.H. Jacob, President, Jacob Fine Art, Inc.; Co-founder, NYUSPS Art Crime and Cultural Heritage Symposium
Mari-Claudia Jiménez, Partner, Art Law Practice, Herrick, Feinstein LLP
Holly Keris, Chief Curator, Cummer Museum of Art and Gardens
Jane A. Levine, Senior Vice President and Worldwide Director of Compliance, Sotheby’s
Betty Little, New York State Senator (R-NY 45); sponsor of amendment to the New York Arts & Cultural Affairs Law enhancing protections for art authenticators
Bonnie Magness-Gardiner, Program Manager of Art Theft, Federal Bureau of Investigation (FBI)
Christopher A. Marinello, CEO & Founder, Art Recovery Group Ltd; Co-founder, NYUSPS Art Crime and Cultural Heritage Symposium
James Martin, Principal, Orion Analytical, LLC; Adjunct Instructor, NYU School of Professional Studies
James E. McAndrew, Forensic Specialist, Grunfeld, Desiderio, Lebowitz, Silverman & Klestadt LLP
Eleonora Nagy, Conservator, Modern and Contemporary Sculpture; Owner, Modern Sculpture Conservation LLC; Conservator, Three-Dimensional Works of Art, Whitney Museum of American Art; Member, Advisory Committee for Conservation and Restoration (ACCR), Judd Foundation
Megan E. Noh, Assistant General Counsel, Bonhams; supports all U.S. specialist and business departments, with a particular emphasis on the day-to-day needs of the New York office, including claims, transactional, and compliance work
Francis V. O'Connor, Art Historian, Jackson Pollock scholar, and lead author of Jackson Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works
Nicholas M. O'Donnell, Litigation Partner, Sullivan & Worcester LLP; Editor, Art Law Report
Judith L. Pearson, President and Director, ARIS Title Insurance Corporation
Ken Perenyi, Renowned art forger whose works have passed through major auction houses and galleries in New York and London as original works; author of Caveat Emptor: The Secret Life of an American Art Forger
Edouard Planche, Programme Specialist, Cultural Heritage Protection Treaties Section, UNESCO
Kevin P. Ray, Of Counsel, Greenberg Traurig, LLP; practices art and cultural heritage law and financial services
Christopher J. Robinson, Partner, Davis Wright Tremaine LLP; practices intellectual property and art law
Laurie Rush, Archaeologist, U.S. Army; Board Member, U.S. Committee of the Blue Shield
Meredith Savona, Special Agent, National Stolen Art File and Art Crime Team, Federal Bureau of Investigation (FBI)
Steven R. Schindler, Founder and Partner, Schindler Cohen & Hochman LLP; Faculty Member, Sotheby’s Institute of Art, New York
Colleen St Onge, Cultural Repatriation Assistant, Sault Ste. Marie Tribe of Chippewa Indians
Spencer Tomkins, President, Spencer Tomkins Fine Art, Inc.; art consultant with over 25 years of experience in the international art market working with private and corporate collectors; specializes in American and European post-war and contemporary art
Mel Urbach, Esq., Attorney, Klein & Solomon, LLP, New York, NY; represents the heirs of Alfred Flechtheim and is a pioneer in art restitution; negotiated return of Kokoschka painting and other work.
For additional information on the Symposium, please call (212) 998-7289 or e-mail firstname.lastname@example.org. To register, visit sps.nyu.edu/humanities/artcrime.
Members of the press interested in attending the Symposium should contact: Alka Gupta at
email@example.com or Cheryl Feliciano at firstname.lastname@example.org.
About the NYU School of Professional Studies
Celebrating its 80th anniversary, the NYU School of Professional Studies (sps.nyu.edu) is one of NYU’s several degree-granting schools and colleges, each with a unique academic profile. The reputation of the School of Professional Studies arises from its place as the NYU home for study and applied research related to key knowledge-based industries where the New York region leads globally. This is manifest in the School’s diverse graduate, undergraduate, and noncredit programs in fields such as Accounting, Finance, and Law; Applied Politics; Creative Cities and Economic Development; English-Language Learning; Foreign Languages, Translation, and Interpreting; Fundraising and Grantmaking; Global Affairs; Health Information Management; Hospitality and Tourism; Human Resource Management and Development; Liberal Studies and Allied Arts; Management and Systems; Marketing; Professional Writing; Project Management; Public Relations and Corporate Communication; Publishing; Real Estate, Real Estate Development, and Construction Management; Social Entrepreneurship; and Sports Management, Media, and Business.
More than 100 distinguished full-time faculty members collaborate with an exceptional cadre of practitioner/adjunct faculty and lecturers to create vibrant professional and academic networks that annually attract nearly 5,000 degree-seeking students from around the globe. In addition, the School fulfills the recurrent continuing higher education needs of local and professional communities, as evidenced by close to 48,000 annual noncredit enrollments in individual courses, specialized certificate programs, workshops, and seminars. The School’s community is enriched by more than 28,000 degree-holding alumni worldwide, many of whom serve as mentors, guest speakers, and advisory board members. For more information about the NYU School of Professional Studies, visit sps.nyu.edu.